Psychoanalysis has lost much of its lustre in this millennium. Those who think they have something to offer in terms of understanding the human psyche are now more likely to turn to neuroscience. But there are still practising analysts. One of them is Ezra Feinberg, who, in addition to his therapeutic work, even finds time to make music. And as his latest album, »Soft Power«, demonstrates in the gently assertive manner suggested by its title, he has something to say in this area too. His approach blends a variety of influences.
At times you hear hints of cosmic bossa nova, at others psychedelic easy listening, with a consistent element being the patterns that unfold with repeated listening, reminiscent of minimal music or something inspired by it. It all sounds familiar, but never copied. What is borrowed is sufficiently assimilated to ultimately become uniquely Feinberg’s. The sounds are also gentle, from Feinberg’s guitar to Mary Lattimore’s harp and the piano contributions of David Moore, who is best known for his project Bing & Ruth. Jefre Cantu-Ledesma adds soft textures and melodies on synth. The small exception is »The Big Clock«, which is driven by a drum machine and builds to a more energetic crescendo towards the middle. Could neuroscientists create something so powerfully soft?
