Nilton Castro’s album »Mes Mains« is both a sensation and a mystery. That’s because it’s still unclear exactly when it was recorded. Rumour has it that it was recorded during his stay in Paris in the 1970s, in a not-for-profit recording studio, and only released 20 years later, in the early 1990s. Remastered and officially reissued with the original artwork, it has now been re-released some 20 years later, in 2024.
With its dreamy lightness and meticulously crafted rhythms that immediately invite you to dance, the work exudes a unique charm. No wonder, given that during his time in Paris he composed mainly for contemporary and expressionist dance. Using the metallophone, the Brazilian conjures up sounds reminiscent of traditional Asian music, which he skilfully combines with hypnotic Afro-Brazilian percussion. Additional elements such as choral singing on »Murmures« and gentle flute melodies add to the special atmosphere and put the listener in a trance-like state. His extraordinary skill, coupled with sophisticated yet understated harmonies, creates an authentic purity. These playful soundscapes are as fascinating today and fulfil their purpose just as impressively as when the album was used to accompany professional dancers.
Mes Mains
